State of The Art Equipment,
With The Grey Matter To Take
Full Advantage Of It All.

Complete Equipment List:

Panasonic AJHD-3700B D5
Panasonic AJHD 1400 DVCPRO-HD
Sony DVW A-500 Digi-Beta
2 x Apple Mac-Pro with 30” Apple Monitor
2 x AJA Kona 3
2 x Graham-Patten Sonarae Audio Monitoring System
Rorke 24tb Raid Hard Drive
Leader LT443d Sync Generator
Dolby Labs DP-571 Dolby E Encoder
AJA IO/HD
Marshall Audio Monitor
2 x AES Audio Patch bay
HD Video Patch bay
Dolby Labs DM-100 Bit stream Analyzer
Standard Def and High-Def Distribution Amplifiers
The Edit Bays:

The edit bays consist of dual 3.2GHz Quad-Core Intel Mac Pro computers with 30-inch monitors.

Software includes Final Cut Pro, Boris FX Continuum, and Adobe Photoshop. Video I/O is handled through AJA Kona 3.

Surround monitoring is handled by Graham-Patten Sonarae Audio Monitoring System.

The two edit systems are networked with Fiber Jet Software to 24TB of fiber channel storage.

Engineering and tape includes Panasonic D5 & DVCPRO-HD High Definition tape machines. Sony Digi-Beta, Dolby 571 Encoder, Leader Sync Generator, Cobalt Open Frame 16 channel de-embedders, Marshall audio monitor with audio de-embedder and AES options.

Additional tape machine and formats are available upon request In addition, there is a Producer’s Station and an assistant director position.
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"As producer of Monster Energy AMA Supercross I always approach each season wondering how are we going to make these shows, better and different than last year. Location edit and their staff made it possible to raise our game, produce better shows, without breaking our budget."

- Chris B., Producer